Vertigo Essay -- essays research papers fc

VERTIGOAlfred Hitchcocks vertigo is a thrilling film filled with mystery and suspense. However, Hitchcock left umteen un work issues at the end of this film. In contrast, when comparing Vertigo to much recent films of similar genre, mysteries argon usually always solved and thoroughly explained by the end of the film. Ironically, Hitchcocks failure to explain everything to the hearing in Vertigo is one of the films best attributes. This lack of knowledge allows the looker to use their own imagination and speculate as to what might or might not have become of original characters.Vertigo boasted several(prenominal) different chemical groups. However, the Ideal Woman Lost theme was the most prevalent (Hand emerge 1). This theme was brought on by an obsessed everyman type. Jimmy Stewart, otherwise know as Scottie in the film, play this everyman type whose face-to-faceity was maliciously twisted into an overly obsessive man. His come for obsession was a beautiful, young woman played by Kim Novak, known as both Madeleine and Judy in the film. Madeleine drew Scottie in so deep, that he literally became a different person. This film mirrored Hitchcocks personal feelings and was considered to be his favorite film. While there are many scenes that exhibit the above theme, the following are three specific scenes that clearly save out Scotties obsession. The scene where Scottie was sitting in his car exclusively after dropping Midge arrive at at her home is a true first example. Midge and Scottie had just spent an afternoon together researching Carlotta Valdes history. Before Midge got out of the car she told Scottie, much to his dismay, that she was going view Carlottas portrait at the museum. As soon as Midge got out of the car, Scottie pulled out his brochure from the museum and rancid to the page that hosted Carlottas portrait. As he stared at her picture for several moments, he began to visualize Madeleines face. Clearly this was one of the first sig ns of his ripening obsession. An old college buddy hired Scottie to follow his wife, Madeleine, to discover where she was wandering off to. However, this job was consuming his life and Scottie was developing a serious charm for Madeleine, a very mysterious woman.Another good exam... ...of a character. Hitchcock does an slight job at relaying Scotties swelling obsession to his viewers. Visualizing Madeleine while Scottie was smell at the picture of Carlotta, his invasion of Madeleines personal space, a questionable stranger, and whispering her name, and then trying to makeover Judy into another person who is supposedly dead are all very apparent signs of obsession. These signs successfully show the viewer that Scottie is thoroughly engrossed with his subject, Madeleine, who had been lost. The viewer is left to assume that Scottie willing be unable to return to the emotionally stable person he was before the obsession took control of his life. Alfred Hitchcock was definitely a head of his time and pave the way for many film-makers to learn from and expand on his expertise of being able to reach an audience, capture their attention, and make the audience feel what the characters are feeling.Works CitedHandout 1 Alfred Hitchcock & Notes on VertigoGiannetti, Louis. Understanding Movies. eighth ed. New Jersey Simon & Schuster, 1999.Stewart, James, perf. Vertigo. Dir. Alfred Hitchcock. Perf. James Steward, Kim Novak. Universal Pictures, 1958.